Die britische Kultformation Monty Python erzählt in SPAMALOT auf Erfolgsgeschichte vom Broadway via London bis nach Deutschland aufzuweisen. Reins Regiearbeit deutschland bis zum Spamalot das hohe Tempo mühe- und zügellos durch und bedient — wie im Fall der furzenden französischen Ritter. Ergänzt ist das Ganze um spamalot 25 Songs, die deutschland auch sehr selbstironisch mit dem Theater und spamalot Genre Musical beschäftigen. Ab lief es in. <
Monty Python´s SpamalotDoch seit einiger Zeit ist vor allem die deutsche Bühnenlandschaft von dem Spektakel aus Eric Idles Feder angetan, sodass es von immer mehr Theaterhäusern. Ergänzt ist das Ganze um spamalot 25 Songs, die deutschland auch sehr selbstironisch mit dem Theater und spamalot Genre Musical beschäftigen. Ab lief es in. Zur deutschland Darstellung unserer Webseite benötigen Sie Spamalot. Bitte aktivieren sie bitcoins deutschland in Ihrem Browser. Oktober am Theater Gera.
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Shows Spamalot. Log in to add yourself as a fan! Show Information. Eric Idle. Monty Python and the Holy Grail film.
Number of Acts. Best Musical First Produced. Comedy, Farce. Period, Multiple Settings, Spectacle. Cast Size. Orchestra Size.
Some Dance. Theatrical Rights Worldwide. Ideal for. Casting Notes. Mostly male cast Includes adult, mature adult, young adult, late teen characters.
Lead Characters. King Arthur Spamalot - Musical. Log in to add to your bookmarks! Arthur attempts to convince a peasant named Dennis Galahad that he, Arthur, is King of England because the Lady of the Lake gave him Excalibur , the sword given only to the man fit to rule England.
However, Dennis and his mother, Mrs Galahad, are political radicals and deny that any king who has not been elected by the people has any legitimate right to rule over them.
In the midst of their revelry, they are contacted by God a recording voiced by John Cleese of the original Monty Python troupe and Eric Idle in the version currently [ when?
They travel throughout the land until they reach a castle, only to be viciously taunted by lewd French soldiers.
They attempt to retaliate by sending them a large wooden rabbit in the style of the Trojan horse ; however, they realise after the fact that it was not as simple as leaving the rabbit and walking away — they should have hidden inside it.
Defeated, they leave in a hurry when the French begin taunting them again, sending cancan dancers after them and throwing barnyard animals including cows at them "Run Away!
Arthur and his followers manage to run into the safety of the wings before the French catapult the Trojan rabbit at them. Sir Robin and his minstrels follow King Arthur and Patsy into a "dark and very expensive forest" Arthur later says they're in a "dark and extremely expensive forest , where they are separated.
Sir Robin, after wandering the forest for some time with his minstrels "Brave Sir Robin" , encounters the Black Knight , who scares him off, but King Arthur, who happens on the scene, more or less defeats him by cutting off both his arms and legs, impaling his still-alive torso on a door, and leaving to give the Knights their shrubbery.
The Knights accept it, but next demand that King Arthur put on a musical and bring it to Broadway in the United Kingdom , this became a West End musical; on the tour, they must put on a "Broadway musical" , implying that it need only be Broadway-style, "but not an Andrew Lloyd Webber ".
The mere mention of his name causes everyone to cover their ears and scream in pain. Sir Robin, who has found Arthur by this point, insists that it would be impossible for them to accomplish this next task, since you need Jews for a successful Broadway or West End musical "You Won't Succeed on Broadway" , and proves his point in a wild production number filled with Fiddler on the Roof parodies, including a bottle dance with Grails instead of bottles.
King Arthur and Patsy promptly set off in search of Jews. In countries that don't have a tradition of Jews in the theatre, the lyrics of "You Won't Succeed on Broadway" are sometimes changed to instead describe the high production standards and acting talent needed to stage a successful musical in that country.
For example, in the South Korean version, Sir Robin sings about recent successful musicals that were staged in Seoul during the previous decade.
Meanwhile, members of the ensemble appear onstage dressed as various characters from those musicals. As with the original version of the song, Sir Robin and the entire ensemble end the number with a song and dance routine.
He is very surprised to find that the "damsel" is actually an effeminate young man named Prince Herbert "Where Are You? As Herbert is asking Lancelot to help him escape, the King of Swamp Castle cuts the rope that he is using to climb out of the window, and Herbert falls to his apparent death.
Lancelot is a bit puzzled at the king's actions, but it is revealed that Herbert was saved at the last minute by Lancelot's sidekick, Concorde.
The King asks his son how he was saved, exactly, to which Herbert replies happily with a song. But the king charges at his son with a spear, preparing to kill him.
Lancelot steps in to save him, then gives a tearful, heartfelt speech about sensitivity to the king on Herbert's behalf, and Lancelot is outed as homosexual in the process, an announcement celebrated in a wild disco number "His Name Is Lancelot".
King Arthur begins to give up hope of ever putting on the Broadway musical and laments that he is alone, even though Patsy has been with him the entire time "I'm All Alone".
The Lady of the Lake appears and tells Arthur that he and the Knights have been in a Broadway musical all along in some productions she also points out Patsy's presence, to which Arthur claims that he sees Patsy as "family" and thus doesn't always consider him a separate person.
Patsy also reveals he is half Jewish, but didn't want to say anything to Arthur because "that's not really the sort of thing you say to a heavily armed Christian.
After picking up on some not-too-subtle hints, Arthur decides to marry the Lady of the Lake after he finds the Grail "Twice in Every Show".
Reunited with his Knights, Arthur meets Tim the Enchanter who warns them of the danger of a killer rabbit. When the rabbit bites a knight's head off, Arthur uses the Holy Hand Grenade of Antioch against it, knocking down a nearby hill and revealing that the "evil rabbit" was actually a puppet controlled by a surprised puppeteer.
A large stone block showing a combination of letters and numbers is also revealed. The letters are based on the seat numbering system used by each theatre.
They are changed from performance to performance to discourage audience members from intentionally booking any of the possible seats.
The seat is typically on the aisle in one of the first few rows nearest the orchestra. After pondering the final clue, Arthur admits that they're "a bit stumped with the clue thing" and asks God to "give them a hand".
A large hand points to the audience and Arthur realises that the letters and numbers refer to a seat number in the audience. The grail is "found" with some sleight of hand under the seat and the person sitting in the seat is rewarded with a small trophy and a polaroid photo "The Holy Grail".
Arthur marries the Lady of the Lake, who reveals that her name is Guinevere ; Lancelot marries Herbert who finally has a chance to sing ; and Sir Robin decides to pursue a career in musical theatre.
In tribute to the film, where six actors played the majority of the male parts and a few female ones , several actors play multiple roles; the only major characters not doubling are Arthur and the Lady of the Lake.
In the Broadway production, the following doubling is used:. Sara Ramirez doubled as a witch and a cow in the Chicago previews, but both parts were cut during the pre-Broadway run.
Two musical numbers were dropped from Act One while the production was still in Chicago. Before the two songs were cut in Chicago, the lead vocals in both songs were sung by Sara Ramirez.
The musical previewed on Broadway , at New York 's Shubert Theatre , beginning 14 February , ahead of an official opening on 17 March.
Mike Nichols directed, and Casey Nicholaw choreographed. The script was updated and included many Los Angeles specific jokes.
Tim Curry and Christopher Sieber reprised their roles from the Broadway production. The London production closed on 3 January A UK tour scheduled for later in was initially postponed, the producers commenting "Due to unforeseen circumstances the UK Tour of Spamalot will not be taking place as scheduled in ",  but eventually started at the New Wimbledon Theatre on 29 May — 5 June Todd Carty played Patsy , assistant to King Arthur for the duration of the tour.
The theme of the song has been changed from poking fun at the need for Jewish input into Broadway productions and instead mocks the cross over of celebrities in musicals and reality television competitions such as The X Factor.
The production moved to the Playhouse Theatre on 14 November , and ran until 12 April As with other Las Vegas transfers of Broadway musicals, including The Phantom of the Opera , Spamalot was condensed to run in ninety minutes without an intermission.
Among the cuts were the song "All For One", most of the song "Run Away", the Knights of Ni receiving their shrubbery, and the "Make sure he doesn't leave" scene with Prince Herbert's guards.
The production moved to Oscarsteatern in Stockholm on 15 September where it played through 29 April Nina Söderquist , who starred as Lady of the Lake in the West End production was thought to reprise her role, but became pregnant.
Eric Idle attended the opening night on 24 May. The Mexican premiere of the show was in July in Mexico City. The show ran for over performances across the country.
Book-writer and lyricist Eric Idle explained the title in a February press release: . I like the title Spamalot a lot. We tested it with audiences on my recent US tour and they liked it as much as I did, which is gratifying.
After all, they are the ones who will be paying Broadway prices to see the show. It comes from a line in the movie which goes: "we eat ham, and jam, and Spam a lot.
I'm making them money, and the ungrateful bastards never thank me. Who gave them a million dollars each for 'Spamalot'? Terry Gilliam , in an audio interview,  describes it as "Python-lite".
As much as we'd like to pull the plug on the whole thing it carries on — it's got a life of its own. Terry Jones — who co-directed the original film with Gilliam — expressed his opinions forthrightly in May " Spamalot is utterly pointless.
It's full of air … Regurgitating Python is not high on my list of priorities. It's great to see the audience loving it. I suppose I had reservations as far as … well … the idea of doing scenes from a film on stage.
That is one of the great moments where the show really comes alive for me. It's a great show. It's not 'Python' as we would have written it.
But then, none of us would get together and write a 'Python' stage show. When asked by a Las Vegas Review-Journal reporter in if he had to be persuaded to provide the recorded voice of God in the musical, John Cleese said, "Yeah, that's right.
And in the end I think Spamalot turned out splendidly. It's had a tremendous run. I defy anyone to go and not have a really fun evening.
The original production has been both a financial and critical success.Köln (Deutschland)[Bearbeiten | Quelltext bearbeiten]. Am Januar startete „Monty Python's Spamalot – Das total. Doch seit einiger Zeit ist vor allem die deutsche Bühnenlandschaft von dem Spektakel aus Eric Idles Feder angetan, sodass es von immer mehr Theaterhäusern. Spamalot. Find your Grail! Deutsche Erstaufführung des Monty-Python-Musicals vom Broadway. Mit bestens aufgelegten Darstellern, die ihre Figuren genauso. Ergänzt ist das Ganze um spamalot 25 Songs, die deutschland auch sehr selbstironisch mit dem Theater und spamalot Genre Musical beschäftigen. Ab lief es in.